Friday, October 5, 2007

Club Dj's-Teach and Teach others

Last week we discussed the emergence of MP3s and making the transition from DJ to producer. This week we'll discuss the natural progression of going from a DJ to a remixer.

8. From Deejaying to Remixing -

For most DJs remixing is a natural progression because when you are blending two records, you are in essence, remixing those songs. You may not be aware of it, but what you are doing is creating your own personal version. When you take an instrumental from one song and blend it with the vocals of another, this is even more evident. Remixes are a great way to bridge the gap between playing records and making records. If you can establish a name on the club scene by producing hot mixes for DJs, you will begin to garner attention. This activity can be used as a platform not only to land official remixes, but to create interest amongst label personnel for production opportunities. If you possess the ability and talent to produce and create original tracks, this will give you a major advantage. This remix tactic has been used by several DJs as a way to get their "foot in the door" into the production arena.

Surfing the net, you'll come across all types of DJ remixes, some hot - some not. Most are unofficial because the tracks that are being used would cost a fortune to have cleared. However, if you're able to create enough excitement around that particular mix, the artists' record label might attempt to clear the music and purchase it. These days, most hip-hop remixes usually consist of a performance by another well-known artist incorporated onto the original track. This tactic is used by the artist or the record company to give the record a "new life." When the song has peaked and begins to decline, after being a hit for a few months, this maneuver can resurrect the song or at least sustain the club and air-play.

Other remixes merge the original vocals from a song with a different instrumental. These remixes are generally used to attract the attention of a different audience. A variety of mixes are used to cater to a particular region or musical genre. (ex. Reggae-Mix, House / Techno-Mix, Down- South Mix, West-Coast-Mix, Pop-Mix, Bass Mix etc.) Other remixes, on a much larger scale, are used by the record company to assist in attaining overseas club and air-play. A lot of the countries overseas prefer the up-tempo dance tracks so the vocals are usually pitch-shifted up to a faster tempo. Pitch-shifting enables you to speed-up or slow-down the tempo of the vocals while maintaining the original key or pitch.

Most remixes come into play when the original version of the record isn't getting the desired play or isn't creating a significant initial buzz. Sometimes the new track adds an element of excitement and aids in giving it that appropriate launch. Another style of remixing is incorporating elements or entire sections from other records and simply doing your own arrangement. These mixes are generally released on underground DJ compilations and are designed strictly for the clubs and for promotional use only. Another style of remixing, in a more extreme case, is when the vocals and the music are totally revamped. (New chorus, new verses and a new track) This remix style is rare because it takes time and money for the artist to go back into the studio and recreate all of the vocals, whereas conventional remixes contain, most or all of, the original vocal performance. Our company, K.O. Productionz, produced several remixes including one for R & B artist Monica where we kept her original vocals, produced an entirely new track and we recorded and incorporated a few rhymes from the legendary Biz Markie. Her label liked our mix so much that they pressed-up vinyl and CDs and it received many spins in the clubs and on radio stations nationwide. As a DJ, use your network of radio DJs, club DJs and artists to your advantage.

Another advantage to the DJ / Remixer is the mass access to instrumentals and acapellas. These versions are at your disposal for experimenting and sampling. My partner Brian O. frequently blended acapellas from 12 inch records with one of our original beats just to envision how the track would sound with a particular artist. Sometimes a track might sound empty and feel like it needs more instruments, but occasionally the vocals are that essential and final element required. Sometimes a line or two from an acapella can be sampled and processed to become a chorus-line or hook for an original track. The options are limitless depending on your creativity. Another advantage to DJs is their familiarity of what tracks are currently working in the clubs. These advantages, along with having a good ear for mixing and blending, are the motivation behind DJs being requested for remixes.

Stay tuned for more DJ tutorials and interviews in weeks to come. Also, for info on my forthcoming book, classic clips from our radio show "Live In The Den With Big Tigger" as well as updates check out:

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